BAUHAUS MOVEMENT:
"If today's arts love the machine, technology and organization if they aspire to precision and reject anything vague and dreamy, this implies an instinctive repudiation of chaos and a longing to find the form appropriate to our times."- Oskar Schlemmer


The Bauhas was the most influential modernist art school of the 20th century, one whose approach to taching, and understanding art's relationship to society and technology, had a major impact both in Europe and the United States long after it closed. It was shaped by the 19th and early 20th centuries trends such as Arts and Crafts movement, which had sought to level the distinction between fine and applied arts, and to reunite creativity and manufacturing. This is reflected in the romantic medievalism of the school's early years, in which it pictured itself as a kind of medieval crafts guild. But in the mid 1920s the medievalism gave way to a stress on uniting art and industrial design, and it was this which ultimately proved to be its most original and important achievement. The school is also renowned for its faculty, which included artists Wassily Kandinsky, Josef Albers, Laszlo Moholy-Nagy, Paul Klee and Johannes Ittern, architects Walter Gropius and Ludwig Mies van der Rohe and designer Marcel Breuer.


The motivations behind the creation of the Bauhaus lay in the 19th century, in anxieties about the soullessness of manufacturing and its products, and in fears about art's loss of purpose in society. Creativity and maufacturing were drifiting apart, and the Bauhaus aimed to unite them once again , rejuvenating design for everyday life. Although the Bauhaus abandoned much of the ethos of the old academic tradition of fine art education, it maintained a stress on intellectual and theoretical pursuits, and linked these to an emphasis on practical skills, crafts and techniques that was more reminiscent of the medieval guild system. Fine art and craft were brought together with the goal of problem solving for a modern industrial society. In so doing, the Bauhaus effectively leveled the old hierarchy of the arts, placing crafts on par with fine arts such as sculpture and painting, and paving the way for many of the ideas that have inspired artists in the late 20th century.


The stress on experiment and problem solving at the Bauhaus has proved enormously influential for the approaches to education in the arts. it has led to the ' fine arts' being rethought as the 'visual arts' and art considered less as an adjunct of the humanities, like literature or history, and more as a kind of research science.